The last days of his Duke Street gallery coincided with the last days of the Beatles. Until 1961, when he returned to London, FraserвЂ™s early years in the art world were in America, where he briefly worked for the then venerable and now infamous Knoedler Gallery. Fraser even played a part in the entire Beatles-vs.-the-Stones pissing contest, a theme that runs through the new documentary with Lennon often jokingly riffing, вЂњAnd your hosts for the night, the Rolling Stones!вЂќ VynerвЂ™s biography portrays the two groups wanting to get FraserвЂ™s attention and vying for it. Robert вЂќin the 1966 Beatles song of the same name, an ode to the drug supply. It was in the same year that Fraser spent four months in jail after a drug seizure at a party with the Rolling Stones, and there is speculation that he is вЂњDr. Fraser also played a role in Apple Corps himself: According to Harriet VynerвЂ™s Fraser Biography Groovy Bob: The Life and Times of Robert Fraser, Paul McCartney collected FraserвЂ™s art, and a painting by Magritte that Fraser brought to McCartney inspired the Apple Records logo when the Beatles founded the label in 1967. Groupe du club Peppers Lonely Hearts (Peter Blake and his wife Jann Haworth) and the White album (Richard Hamilton). He had played a crucial role in getting his artists to work on the album covers for Sgt. Apple Corps, it should be noted, was a stoneвЂ™s throw from the Royal Academy of Arts.ДЄnd Fraser had a relationship with the Beatles. Passing by the Apple Corps studio would have meant a short stroll through Tony MayfairвЂ™s London Borough, whether Fraser is coming from his Duke Street gallery, which he had opened seven years earlier to works by Jean Dubuffet, Ed Ruscha and Dennis Hopper, or from his Mount Street apartment. In 1969, when Michael Lindsay Hogg shot the images in To recover, Fraser was 31 years old, a few years older than John, Paul and Ringo.

scenes.ДЇraser was a contemporary of the Beatles and, at the time of the filming of the documentary, a local man. Also known as вЂGroovy BobвЂ™, Fraser was a hard-working, big-eyed connoisseur, known also for the new energy he brought to the London art world and the parties fueled by drugs during which he fused art and rockвЂ™nвЂ™roll. The uninitiated may not know that Fraser was not just any art dealer, but the one who revolutionized the London art scene when the Pace gallery devoted an exhibition to him in London in 2015, the le journal Wall Street called him вЂњthe most important figure in the art world youвЂ™ve never heard ofвЂќ. вЂќThe film then identifies the visitor, in the text at the bottom of the screen, as none other thanвЂњ the art dealer Robert Fraser вЂќ. Just under three hours in episode two of Peter JacksonвЂ™s new Beatles documentary To recover, as the band rehearse вЂњLet It Be,вЂќ an impeccably dressed gentleman with slicked back hair creeps into the studio as John Lennon looks up and sings, to the tune the budding song took, вЂњAh, this is Robert Fraser.

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